Ryan Watches A Motion Picture #88: Valhalla Rising (2009)

I've been meaning to write a review for Valhalla Rising for quite some time. I've name-dropped it in other reviews, promising that I'd one day say a bit more about it. That day is upon you.

If you read any of the reviews I posted about The Pusher Trilogy, you probably noticed that I have nothing but high praise for Danish writer/director Nicolas Winding Refn. I haven't seen anything he's touched that I haven't liked. His images are stirring and organic, and he knows how to pull interesting performances out of his actors. He seems to be able to work special magic when he's working with Valhalla Rising lead Mads Mikkelson, a guy who could very easily turn into a misused Hollywood action chump (like in the awful Clash of the Titans remake). But he's chosen some very interesting, and in the case of Valhalla, daring films to be part of. In Valhalla Rising he doesn't say a single word.

Mads is 'One Eye', a completely silent one-eyed Viking slave/prize-fighter who eventually finds himself on a ship filled with Scotsman bound for the Crusades. There's really not too much more to say about the plot.

I'd wager that anyone passing by the DVD case would be immediately mislead. It's image of a grim Viking warrior standing alone with an axe in hand might make you expect a film filled with spectacle-driven violence. It isn't. There's in fact very little violence, but what violence there is some of the grittiest, ugliest violence I've seen on a screen. Mads' screen presence is great, and though silent (not to be confused with mute), manages to present you with a startling enigma you constantly struggle to decipher in terms of emotion and motive. This movie is minimalist in its strategy in almost every way and works essentially as a thought-provoking, poetic, and captivating existential mood piece. And it's about a fucking Viking. Who knew.

So: My pick for best movie of the year (it was released in North America only recently). Might not be your cup of tea, but if anything I said tickled your fancy, watch it.

Ryan Watches A Motion Picture #49: Tarkan Vs. The Vikings (1971)

I am going to talk about Turkey.

Turkey’s typically drab and melodramatic cinematic output was slim to nil until the late 1960s hit the country like Attila the Hun. Turkey’s film industry exploded in the blink of an eye, and what once was the meagre production of a handful of films a year became approximately three hundred, at its apex. This explosion resulted in the creation of a mad host of exploitation films, filled with all the violence, sadism, sex, and senseless nudity that defined the genre. Drawing much inspiration from 1930s and 1940s American serials (the likes of Zorro, Flash Gordon, and Tarzan), the Turkish pop cinema often showcased the ultra-cliché: testosterone-powered soldiers, masked superheroes, and indomitable barbarian sword-slingers. These films shamelessly ripped material from popular Hollywood films, stealing soundtracks and even going so far as to insert whole film sequences. Of the most famous is the notorious ‘The Man Who Saves the World’ (1982), or ‘Turkish Star Wars’ as its affectionately called. Check it out on youtube.com, it’s all there.

As TV took hold in the 70s, the Turkish cinema began to flounder. Distributors began to insist on racier sex scenes in an attempt to draw people back into the theatres. It worked, and for a time the theatres were packed tighter than ever before. According to Aytekin Akkaya (of Turkish Star Wars fame), the cultural climate was all but sexually free, and the soft-core sex scenes that the films contained (mostly little more than topless women, in truth) were a necessary release.

By the time the 80s rolled around, the Turkish cinema had just about exhausted itself, and American cinema had taken its place upon Turkish screens. Sadly, the bulk of the films produced during this period of boom are lost – many films were actually destroyed for the silver contained in the negatives.

BUT TARKAN VS. THE VIKINGS REMAINS. And you must see it. Based off a popular Turkish comic book, Tarkan features a patriotic Turkish barbarian, upholding Turkish ideals, fighting Vikings and giant octopi, and laying with Valkyries and exotic oriental assassins. For your trouble you’ll get to see another film on the dvd, one titled The Deathless Devil (1973). This one’s a superhero film, and while perhaps not as grand, it is well worth the watch if you’ve some friends handy. You’ll even get to see the featurette from which, in the spirit of Turkey, I have stolen the material for this article.

So: I can't express how much I love this movie.