NOTE: THIS REVIEW CONTAINS MEGA-SPOILERSAudition (aka Ă”dishon; dir. Takashi Miike – 1999)
Reading about this movie in advance of watching it, I was prepared to be grossed out, what with mention of barf bags being handed out at some screenings, people being sick in movie foyers, etc. While this movie is disturbing but c’mon - people, if you’re renting movies from Gen X, you’ve probably seen worse...
Many years after a movie producer’s wife dies, he decides to find a new wife. Unsure of how to proceed, a friend arranges a semi-bogus audition for a movie roll. The widowed producer sits in, evaluating the women as they come in. He finds one woman to his liking and he approaches her after the audition. They go out for a few dates and then, without warning, she disappears. The producer then attempts to track the elusive woman.
The movie is a psychological drama – the producer tries to track down the mysterious woman and the more he finds out about her, the weirder psycho-bitch she turns out to be. But yet the producer pursues, a train stuck on the tracks. The plot moves along in a controlled and measured pace, Ryo Ishibashi as the producer bring some nice dramatic chops to the movie and Eihi Shiina as the female protagonist does a nice job of projecting a quiet/scary/unhinged vibe.
Yes, the last 20 minutes are a little hard to take – the bulk of it being a torture scene involving an immobile captive being subjected to super-long acupuncture needles and a garrotte to an extremity – but the pain-induced flashbacks by the captive does provide some insight into the plot. Not that I’m trying to make excuses for this movie or anything like that...
tm sez: 6/10
