Showing posts with label Emily Blunt. Show all posts
Showing posts with label Emily Blunt. Show all posts

Monday, February 8, 2010

Wendy's Films of 2010 #30: The Young Victoria (2009)

Watching films like this brings me back to my most vulnerable state. I have always had a weak spot for period pieces, especially those relatively cheerful romances that combine the most irresistible, devastatingly affectionate couples with gorgeous costumes and intriguing stories. Nearly very shot was like stepping into the most beautiful, luxurious imaginings of my childhood. As a girl I would drape our old yellow afghan around myself, its tassels dancing as I would twirl and pretend to be some exotic duchess or queen. The costumes in this film managed to express my most fantastic daydreams, with a plethora of expensive jewels, lace, stunning colours and fabrics. They were simply breathtaking, and I'll be stunned if Sandy Powell doesn't win another Oscar for her efforts, though Coco could potentially steal away the prize.

I loved Emily Blunt as Queen Victoria; her tone of voice and manner of being seem to lend themselves to a young woman attempting to lead a country while still unsure of herself. She skillfully balances the insecurity of a young woman and assertiveness of a girl brought up to be the queen of a patriarchal society. Rupert Friend performs his role as Victoria's unaffected suitor and husband Prince Albert with subtlety and quiet passion. Their love was not just fabricated for cinema, but a historical truth; according to Mike the Boss, several of the letters they wrote in the film came directly from the correspondence the two shared.

The film's focus lies heavily on romance, but does notice other issues and significant historical advances of the time. It is a member of a genre which seems to have been dubbed queen or crownsploitation (I prefer the later, it has a nice ring to it), and I enjoy the way it sheds new light on a Queen often thought of as a hefty, middle-aged force to be reckoned with.

Wednesday, January 27, 2010

Mike The Boss - Films of 2010 - Film the Eleventh: The Young Victoria


(Why was I thinking of naughty chess jokes during this scene?)


The Young Victoria (2009) (Dir: Jean-Marc Vallee)

Another queen movie for me! This one follows the chaotic first years of Victoria's rule and her romance with Prince Albert. If you are looking for gorgeous set pieces, fabulous costumes and high drama and political intrigue, this movie is for you.

Emily Blunt gets the nod as Queen Victoria and does an excellent job of portraying a willful 18 year girl who ascends to the most powerful seat in Britain. Rupert Friend plays Prince Albert and does a great job showing the respectful intelligence of the man. Paul Bettany is Lord Melbourne, Albert's competition for Victoria's hand in marriage. Miranda Richardson looks a little out of place as the Duchess of Kent (Victoria's mother) as does Jim Broadbent as dying King William but they can be overlooked.

The movie starts with typical teen drama. Victoria mom and her mom's boyfriend want Victoria to do as she is told but Victoria knows that they are not the boss of her and says, "No way Mom!" Okay, that isn't how it really goes. In reality, the Duchess of Kent and Sir John Conroy (played by Mark Strong) want Victoria to sign papers that declare them to be her Regents until she turns 25 (she is not quite 18 yet). The king is dying and they consider Victoria too young to take the throne. Victoria, strong willed teen that she is, declines their generous offer and sets about getting ready to rule the kingdom.

The coronation sequence is pretty damned sweet with lots of pomp and circumstance, everyone in their finery and the sets dolled up to the max. Blunt plays it well showing a touch of nervousness but keeping her facade of regalness for the public. This two-sidedness of her nature is continued throughout the film including during the romance with Albert, her dealings with Lord Melbourne and the parliament and with the general goings-on within the palace. She always seem to have a bit of that young teen petulance mitigated by her years of training to be the Queen of England.

The romance with Albert takes a long time to come to a head but the wait is worth the while. Poor Albert is constantly frustrated because he can't come out and say how he feels directly because his lady love is the Queen of England. Meanwhile, Victoria is having trouble making up her mind because, well, she IS the Queen of England and pretty much everything she does has double and triple meaning regardless of whether she wants to do so. The nice touch is that a lot of the long distance romancing is taken directly from the actual Queen Victoria's collection of letters. So we get to hear what the real queen thought when the real romance was happening.

Anyway, there are no real surprises here other than Albert getting shot (he did not in reality). Eventually, Victoria realizes Albert is a good match, they have an absolutely fabulous wedding and they live happily ever after having 9 kids until Albert dies and Victoria goes into mourning for the rest of her life. For a different look at Victoria's latter years, check out the marvelous Mrs. Brown, starring Judi Dench as an older Victoria and Billy Connolly as John Brown, her supposed lover. It makes a good companion piece to Young Victoria and is a damn fine film too.

As an aside, the film was written by Julian Fellowes, who also wrote Gosford Park and the film was directed by Quebecois film-maker JeanMarc Vallee, who directed C.R.A.Z.Y. . Both of those films are worth checking out as well.

Monday, January 11, 2010

Wendy's Films of 2010 #12: Sunshine Cleaning (2008)

I'm writing this, my eyes still red, after watching one of the best films I've seen in a while. It's not what I expected it to be, but it was full of heart and I never once checked the clock to see how much longer it would be. Sadly, that's been happening a lot this past year. Films don't seem to keep my attention for very long, I often have to preoccupy myself with something else while I watch just to get through them. This time, I was so taken in that I forgot my computer was on my lap. Amy Adams and Emily Blunt play sisters perfectly, their roles are believable and emotions seem genuine. I was lost in their lives, and even felt as if I was a part of them. I don't want to go off saying this film was an utter masterpiece, it has its flaws, but it just makes me so happy to watch a film that captured me for the first time in a long time.